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Releases

sabycheek_likeiloveyou
Single “Like I Love You” by Saby Cheek, 2017
RDR 17.001-7

A sophisticated rock-pop song. It’s all about love, sex and its evil sweetness, about passion and the addictive taste of unconditional love.
More details and download options

 


Black Roses Cover
Single “Black Roses” by Saby Cheek, 2016
RDR 16.001-7

Intimate and emotional piano version.
More details and download options

 


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Single “Surrender, Defect, Somehow” , 2013
RDR 13.001-7

“Surrender, Defect, Somehow” is the last single from Viennese indie rock band SONORA. The song combines excellent musicianship and risk-taking vocals to create a catchy and compelling ode to erotic obsession.
Video

 

sensesreturn
Album “senses return”, 2012
RDR 12.001-1

Debut-Album by Candymaze, Intense vocal arrangements embedded in groove-driven Pop-Rock with a funky flavour. Strong and fragile at the same time. Rediscover your lust for life and all its passion.
Buy CD / Download via iTunes

 


Album “Eleven Ways To Remind The Past”, 2011
RDR 11.001-1

Eleven Ways to Remind the Past is the much-anticipated second full-length from Austria’s SONORA. It can be considered a concept album of sorts. From the gentle opening strains of “Rest Here in Peace” to the final feedback fade of “Drivin’, this Album is a unified statement from a confident band.

 

EP
EP “Unplugged Sessions”, 2010
RDR 10.001-2

SONORA’s Unplugged Sessions EP grew out of acoustic gigs that the band had been doing in and around their native Vienna. A composition’s ability to stand up to re-interpretation and to “work” in its most stripped-down form is the measure of its strength.

 

Album

Album “Days Of Conquer”, 2009
RDR 09.001-1

Days of Conquer is full of surprises. From the driving “Naked Upside Down” to the sultry “Someday” to the haunting final track “Stumble and Fall” finely-crafted songs and solid musicianship interweave genre-busting elements that place SONORA somewhere between indie and indescribable. Cheek’s whisper-to-a-scream vocals evoke a female Eddie Vedder .

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